Episode 53 - Snuff (1976)

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Episode 40 - Wild Beasts (1984)

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Death Nurse (1987)

I've seen and reviewed my share of ridiculous films throughout my time on this earth, but I find that when watching a film shot-on-video (SOV) I tend to be more relaxed with my feelings. While I will always say The Abomination is a wretched film, there is a lot of entertainment to be had with the right inebriation. There's a certain chunk of salt one has to swallow to enjoy these films, and more often than not they're poorly made and convoluted.

At the Shady Palms nursing home, Nurse Edith and her brother Doctor Gordon take care of their patients. They give them beds, offer food, and unnecessary surgery and murder. While more patients are brought in for their "exquisite" care, Edith and Gordon take turns either performing surgery or suffocating, stabbing. Soon though they find themselves with more corpses than they can handle. What are a murderous brother and sister to do?

Death Nurse is a pretty baffling movie. At the staggering 57 minute run time you are thrown into one of the most weirdly edited, shot and acted films ever. Again, that's not saying it's bad, but, well... It's bad. In an enjoyable way, but you're scratching your head as to why most of these decisions were made. Long shots of actors doing nothing. Dream sequences that are never explained, also these sequences were taken from the film Criminally Insane, so they obviously needed the padding.

The acting from Priscilla Alden is spot-on with its awfulness. It's wooden and no awards will be given for her performance, but it's endearing. The "production value" of the film was that of probably one weekend, the director's family/friends, 5 VHS tapes, a Panasonic camcorder and two VCRs for editing. It's cheap and it shows, but it's never serious and allows for organic laughs with the dark humor while everything else in the movie provides the unintentional chuckles.

Death Nurse isn't going to win any awards, but it's a movie to throw on with a group of friends. It's under an hour of your life, and most of us paid to sit through Avatar. That shit was like 3 hours. You could watch Death Nurse, Death Nurse 2 and two episodes of the Simpsons in that time frame and be more entertained that tree sex bullshit.

Rating: 2 1/2 out of 5 Trash Bags

Death Nurse is available from Slasher // Video, but it is limited to 1,000 units.

Trash Pile Picking Tips

I started collecting VHS when I was 6 years old, and while the collecting market booms on internet forums and eBay, I still get a few questions from collectors new to the field. While most pickers may not share their tips, I feel the more the merrier. It increases exposure of the medium, and keeps the format alive. Over the few years that I've been hunting throughout New England I've found a few couple tips that I've wanted to pass on to new collectors, and maybe some tips for those who have been hunting for awhile!

1. General politeness can lead to a better haul:

It seems like a 'duh' thing, but saying things like "please" and "thank you" shows a considerable amount of character, especially with older vendors. Manners show a level of respect that can break down most walls of communication (i.e. negotiating), and can sometimes bring about our next tip.

2. Always ask if they have more, know other collectors or other stores around:

There's been many times I've found a thrift store or Craigslist posting that was a bit of a drive away, and returned empty handed. To try and get the best out of your hunt that day strike up a conversation with the vendor, person, whomever and start asking questions about the area, or maybe how long they've had the tapes. From there they may know more stores, or other collectors who may know and so on.

3. Research:

Going back 20 years ago there was a Mom & Pop video store in every town, sometimes two. Now you'd be hard pressed to find an open one, let alone one that still rents VHS. I've found the best area to start your hunt is around vacation destinations, for instance: In New Hampshire I hunt around ski resorts and the Winnipesaukee region. While you may only find one or two active VHS rental facilities, most stores have sold their stock off to the public.

From there, most VHS will end up at your local Savers, Goodwill or Thrift Store. Then it's off to find nearby flea markets and yard sales. You won't strike gold every time, but this will lead in a good direction.

4. Always be prepared:

While you may never know how many items you could be going home with, it's best to prepare appropriately. Always carry extra tote bags in your car. Whether it's a cheap tote from your local grocer, or one of these Tom Bihn bags like I keep in my car. You never know if a vendor will be out of bags, so it's good to keep extras around.

A bag may not be the only thing you'll need. I keep a notebook in my car to jot down any notes about a particular trip, or if I need to pass my number out for future picks. Having a couple pens and a notebook handy can avoid headaches down the road.

As always be loaded up on:

1. Water
2. Protein snack (jerky, nuts, bar, etc.)
3. CA$H (Plenty of ones, but don't skimp on $5, $10 bills and quarters too)
4. Change of clothes (You may not need it, but not every picking location is Howard Hughes clean.)

5. Clean up after yourself:

Lastly, the most important tip I can give is to clean up after yourself. By that, I mean if you walk into a shop/flea/etc., don't leave the section worse than when you started. Not only does this create more work for the employees, it's also a headache for any other pickers that may happen through your stop.

There has been many trips that have been cut short due to other pickers leaving a mess of the store.

We're not all out there trying to find the rarest of the rare, but when going hunting remember that there are other collectors like you. There's no reason to complicate it for others, so be respectful of not only fellow pickers but the shop owners as well.

Interview: 'Adjust Your Tracking' Co-Director Dan Kinem

As huge supporters of independent artists we here at The Trash Pile hope to provide new films for our readers. We're thankful today to bring you an interview with the co-director of 'Adjust Your Tracking: The Untold Story of the VHS Collector'. ' Adjust Your Tracking' is a documentary that looks into the lives of fans that collect home video.

Trash Pile: As a lifelong collector of VHS it’s great to see a documentary covering our fan base. What was your decision to do a documentary as opposed to, let’s say, a narrative feature?

Dan: Well, through collecting I was meeting and talking to so many interesting characters that a documentary just seemed like a logical step. I knew the fans of VHS could hold a feature-length film and be interesting enough, funny enough, and compelling enough without having to turn them into actual characters for a narrative feature. Though I do have many ideas for horror films and comedies involving VHS collectors that I think would be priceless...

Do you remember what your first VHS was?

I know what my first VHS was when I realized I was actually collecting. It was Birds II: Land's End, the made-for-TV sequel to Hitchcock's masterpiece. It was one of the worst movies ever but also a movie I realized was unlikely to ever be released on DVD and an interesting part of film history. Then I just started buying up everything I could that never was released and it moved from there. As far as movies I remember watching on VHS religiously as a kid that would have to be Tremors, Puppet Master, Home Alone, Fiddler on the Roof, Alive, and Star Wars.

Why do you think the format has lived on for so long after its death?

Well, despite not having a commercial release in a pretty long time I feel like it never truly died. As long as there are great or interesting works of art that can only be viewed on VHS it will never be dead. I still have teachers at school show videos on VHS, I still screen movies for friends and family on VHS (either because that's the only way to get it or because that's the way it was intended to be seen, like in the case of a direct-to-video or SOV film), and I still buy VHS. I don't think it will ever actually die.

Where did you travel in making ‘Adjust Your Tracking’?

Man, where didn't we travel? That was the most insane and fun trip I've ever been on. We literally went in a giant circle around the whole country collecting interviews with VHS collectors and hunting for VHS. It was the most physically demanding trip but definitely the most rewarding. We went through Ohio, to Chicago, to MN, all the way across the top of the country through Montana to Seattle, down the west coast, then swooped around to Texas, then all through the south, and rounded it all the way back up to NYC. We collected over 100 interviews and thousands of hours worth of footage. And that was just one of the trips we made while filming!

As a VHS fanatic I’ve traveled to flea markets, thrift stores, etc. What were some of the crazy adventures you heard from some collectors.

Well, without spoiling any of the stories found in the film, as crazy as it may sound, we heard multiple near-death experiences involving hunting for tapes. We heard stories that will get everybody's blood pumping and heart racing, whether they are VHS collectors or not.

In a lot of ways VHS collecting has become very similar to collecting vinyl records. Do you think the collecting market will continue to grow as it has?

Yes, I do. I see it every single day. There are new people who decide to start collecting VHS daily and I hope this documentary will push that number up even more. The goal of the film is to give a glimpse into the world of the people who still cherish what many still call a dead format, but it also works as a little nudge to people who might not look at VHS when they are shopping at a thrift store or a yard sale and says, "Stop and look at those tapes, you never know what amazing shit you might find!"

How long did the project take from fruition to completion?

Well, as of doing this interview it has actually been two full years to the month. Our first interviews were shot April of 2011 and the early beginnings of doing the documentary were in March 2011.

What are your plans for release? Will you be doing the festival circuit?

We hope to tour the film around the country and play it all over the place. We have a couple screenings set up so far which can be seen on our Facebook page (link below). We are also going to be submitting it to some festivals and attempting to set up some foreign screenings as well. As far as the release goes, possibly an early 2014 release on VHS and DVD is a goal.

In the day and age of HD and digital media it’s hard for most people to understand why people still collect formats like VHS and vinyl. How would you explain to a non-collector why they should watch your film?

To a non-collector I'd tell them they should watch Adjust Your Tracking because you need to see the highly enthusiastic, sometimes insane, subculture of VHS collectors. There's nothing like them anywhere else and if anything, this will appeal to non-collectors even more because it will give them an inside look into a crazy world they know nothing about. Beyond that, however, no matter your age your first memories of watching movies are on VHS and that should never be forgotten. Those are some of the most fun memories that people have about film and watching Adjust Your Tracking will take you back to that.

Lastly I just want to say thank you for bringing light to our crazy little world of collecting. Any last comments you’d like to share?

Well, I want everyone to go "like" the Facebook page (http://facebook.com/adjustyourtracking) and for everyone to tell your friends. Post about the film on your blogs, websites, etc. Do you have a magazine or write for one? Hit me up for an interview. My goal as of right now is to get as many people as humanly possible to know the name Adjust Your Tracking and to get excited to see it. What I put everything I have into is finally finished and I couldn't be more excited for people to finally be able to see it.

Trash Pile Love Notes: Cannibal Holocaust

There are some films that people choose to never see. Whether it's because of the violence, content or creative teams behind the films, many audiences avoid certain movies like the plague. Recently, we've seen this with films like the expanding 'Human Centipede' franchise, and the controversial 'A Serbian Film.' We hear these rumors of films so foul that they not only disgust you, but really make you hate yourself after. Sounds like exploitation to me.

When I was 13, I used to visit comic conventions around the Boston area. Back in the early 2000's, it was really the only place to find unreleased workprints and other hard to find movies. Soon I began going to conventions to find new movies, as opposed to rounding out my comic collection. Every type of movie was at a young gorehound's disposal for the "low" price of $10 for a bootlegged VHS. I was ecstatic at finding a new film that I had not seen before, but one film changed the way I would look at movies forever: Ruggero Deodato's 'Cannibal Holocaust'.

Sitting in my friend's basement, way too cracked out on caffeine and pot, we watched about 4 of the 8 films we picked up that weekend. It was the first time I saw the bat-shit crazy 'Meet the Feebles', the X-Rated 'Robocop', and, if memory serves correctly, the version of 'Little Shop of Horrors' with the alternate EVERYONE DIES ending. I enjoy all of these films for different reasons, but I had never seen anything like 'Cannibal Holocaust'. Nothing really prepares you for the carnage of a group of filmmakers destroying, raping and killing natives to beef up their documentary. It's baffling that a film with so few likable characters resonates so heavily, but it's in the way the film is constructed that makes it so memorable.

The very first piece to cover on 'Cannibal Holocaust' is how amazing the cinematography of Sergio D'Offinzi is. His work captures a beauty that the plot of the film cannot. The amazonian landscape is shot in a way that feels like a nature documentary, but when matched with the gut-wrenching visuals involving the cast, compliments it rather nicely. There are very few moments that feel like the found footage of the lost documentary crew is fake. Everything looks so genuine that I can understand why Deodato was sequestered to court on the allegations that he killed his cast. If you've convinced the Italian government that you've committed atrocities towards humans, then you must have made an impactful film.

With that comes the conversation of animal violence, which is very real. I do not endorse animal cruelty in the slightest, although I'm going to throw my cat out the window if she's scratches my VHS again. The animals that were sacrificed to the movie gods were also consumed afterwords by the cast and local tribes people. No animal, except maybe the spider (which I'm fine with. I hate those things) was put to waste. I'm sure if you're trekking through the jungle, some barbecued turtle would sound mighty tempting. Condemn it all you want, but it's there for a purpose. If the animal cruelty is something that you don't think you can stomach? Fine. Either don't watch the movie, or look away at those parts. Remember 'It's just a movie'.

The score is another phenomenal piece of what makes 'Cannibal Holocaust' such an amazing film. Riz Ortolani composes such a hauntingly uplifting score that it battles against the gruesome images that Deodato orchestrates. The main theme is one that really stays with you after your initial viewing, with its cheery synth and acoustic guitar. It's one of the scores that when you first see the film might seem out of place, but it really heightens the horror of the action.

Another thing that really makes 'Cannibal Holocaust' stand above most other exploitation films is the message that the film is trying to press. It may seem heavy handed that the real monsters are the ones behind the camera, but it has become more true since the film was originally released. The documentary crew who ventures in the Amazon had always beefed up their previous efforts by faking the events that were happening, or paying armies to execute civilians. Deodato used this as an allegory for the way news outlets world wide would sell violence if it meant ratings. The message rings truer today with the advent of reality television. Violence of all types equals more money for sponsors and TV stations. How long until 'The Running Man' becomes an actual show?

After a recent screening at The Coolidge Corner Theater in Brookline Massachusetts, I was brought back to when a I first saw 'Cannibal Holocaust' almost 15 years ago. Seeing it in 35mm was like seeing it for the first time, and I was also able to bring some new viewers along for the ride. They had heard of the film, but for whatever reasons had decided to not see it. Afterwords they both remarked at how much they really liked the movie. There is a preconception with exploitation and grindhouse films that there is some inherit camp value to the productions, and most of the time that's right. 'Cannibal Holocaust' is not a campy film, nor is it one that is for mainstream audiences. Every found footage film owes a little piece of their creation to this groundbreaking film, and while no academy will ever declare 'Cannibal Holocaust' a Best Picture candidate, the impact of this little exploitation film will be forever imbedded in cinema history.

**No animals were harmed in the writing of this article.**

Cannibal Holocaust from Amazon

Revenge of the Teenage Vixens from Outer Space (1985)

The mystique of watching movies after midnight was hugely appealing to me in my youth. Of course everyone raves about Cinemax, but my tastes were left to those stations who showed B-movies ranging from the 1950's to the 1990's. In the early '90s stations like USA, and TNT would have late night horror shows on weekend nights. This is how I would see films like 'The Toxic Avenger', 'Return of the Living Dead', 'The Gate' and many other Horror and Cult movies.

It took me a long time to track down 'Revenge of the Teenage Vixens from Outer Space', but I am happy I was able to get a VHS copy of it. As I've said many times before the appeal of watching these films on tape really adds to the charm. One evening in my childhood I remember seeing portions of this movie after my parents had gone to sleep. Like a sore thumb the images of "aliens" zapping teenagers into vegetables was awe-inspiring. I mean shit, even at 26 the concept is still pretty fantastic.

Our story unfolds in the sleepy little town of Mayfield. The school kids all hang out at your a-typical lover's lane, and talk about their lives. Suddenly, like out of a cliche, comes 4 sexy women. It appears these aren't your normal exchange students. In fact, these are horny Vixens from outer space!

There is an issue on their planet however. They have no men, and the only way they can reproduce is by fingering plants. It's pretty gross. During the airing of Elvis Presley on the Ed Sullivan show in 1956 we got the top half of his waist, and the vixen's planet got the lower half. Stealing the boys from all their girlfriends, the Vixen's sexual appetites are not quenched, and begin turning all those in the stand in their way into giant pickles, tomatoes, corn, and even squash!

The film clocks around 72 minutes. They setup the plot right off the bat, and go for broke with horrible dialogue, and even worse effects. This is hilarity in the style of Ed Wood, and it's really that bad. The worst part of the 'Revenge of the Teenage Vixens from Outer Space' is that it's really trying to be a parody, but it fails to see that it's become what it wanted to be. It's got awful effects where a man's face starts to bubble, turn orange, and then BAM! He's a fucking carrot.

The editing is awful, but that's what you get for a movie that was made over the course of 4 years. Started in 1981 you can see characters with different hair styles, different heights and even higher voices. The style of hair for some of these actors is just the worst. The female lead, whose name doesn't matter, has Davy Jones bangs and shockingly can't pull it off. It just takes your eyes away from the slight mustache I suppose.

You can tear apart movies like this all you want, but at the end of the day they're just hysterical. Films like 'Plan 9 from Outer Space' would probably not have been as prevalent if it were made by someone less delusional than Ed Wood. It's topical because the guy made well marketed shit, and loved doing it. The charm you find in an Ed Wood film is very present in 'Revenge of the Teenage Vixens from Outer Space'. It's not good, but damned if it ain't funny.

'Revenge of the Teenage Vixens from Outer Space' is available on VHS from Continental Video, and DVD from Sovereign Pictures.

Rating: 3 out of 5 Trash Bags

IMDB Page

Amazon Page

The Beyond (1981)

While 'Cannibal Holocaust' might have been one of the first movies to get me interested in Gore, Lucio Fulci was the one who showed me the beauty in the carnage. The Italian director is known for his surrealistic films, and brutal violence. The first film I saw by Fulci was 'Gates of Hell' which was when I was searching out any zombie related film. From there I saw 'Zombi 2', and then I found what many consider to be his masterpiece, 'The Beyond'.

One of the best things about 'The Beyond' is that it combines elements from so many different genres. Part haunted house flick, half zombie gore; 'The Beyond' offers something for almost any horror fan. For this viewing of Fulci's 'The Beyond' Jason and I were able to catch a 35mm print at The Coolidge Corner Theater. This was a film that I was very excited to cross off my list of movies to see on the big screen.

In 1927 Louisiana a lynch mob descends on the Seven Doors Hotel. A painter by the name of Schweik works on his macabre creation, inspired by the mystic book Eibon, in his hotel room, number 36. The mob enters the building, and breaks into Schweik's room; assaulting him in the face with a metal chain, and accusing him of being a warlock. The mob then drags him down into the basement where they nail his wrists to the wall, and pour quicklime on his face.

Present Day (1981) a woman by the name of Liza (Catrina MacColl) has inherited the hotel, and is fixing it up to re-open. Unfortunately, the house was built on one of the Seven Doors to Hell, and her renovations have awoken Satan himself. When construction workers start dying horrible deaths, a mysterious blind woman named Emily (Cinzia Monreale) warns Liza to abandon the hotel. Doctor John McCabe (David Warbeck)tells Liza that there's nothing to worry about, and to continue renovations. However when the body of Schweik shows up in the basement, John starts seeing the symbols of Eibon. Soon the forces of Hell spew forth the dead, and John and Liza must fight to stay alive.

The first thing that I enjoyed about the film was of course the special effects. Italian genre films from the late '70s and '80s have some of the best gore effects in cinema history. Germano Natali has done some great effects for films like 'Suspiria', and 'Deep Red' but 'The Beyond' has some of the best violence of all time. We see heads exploding, spiders devouring a face, eyes gouges, and the aforementioned death of Schweik. For those gore-hounds looking to wet their appetite look no further than 'The Beyond'.

The score by Fabio Frizzi is one of my favorites of all time. The choir and piano main theme is very atmospheric, and the score helps elevate the direction of cinematographer Sergio Salvati. Salvati has done all of Fulci's big horror titles, but I really think that his best work is with 'The Beyond'. The scenes down the flooded basement ooze with dread, and with the score by Frizzi, the direction of Lucio Fulci really shines through. Though, while able to raise your fears through the use of camera trickery and brilliant composers, he orchestrates the violence to shock and gross you out. This technique allows for you never to get settled in what you're watching, and should keep you glued to what's happening.

The only negative criticism I could give this Horror Classic is that the English dubbing is just awful. I would love to see a subtitled release at some point, but that is more than likely on any of the DVD releases by Anchor Bay. By all means 'The Beyond' is not a film for everyone. While enjoyable by a Horror fan for the effects, and atmosphere it is pretty damned out there. A lot of the happenings you just have to accept as going on, as we're never really clued into what exactly the powers of Eibon can be. The best bet is to turn off your mind, and enjoy the surrealistic elements of the story and the fantastic gore effects on the screen.

'The Beyond' has a few releases with Anchor Bay, and the rights are currently held with Grindhouse Releasing.

A random trivia fact you probably don't care about!

Did you know that 'The Beyond' is one of Quentin Tarantino's favorite movies? So much in fact that he was one of the primary reasons for an unrated release of the film, and the 35mm print that tours the country!

Rating: 5 out of 5 Trash Bags

IMDB Page

Wikipedia Page

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