Popcorn (1991)

Long gone are the days of the gimmick film where seats buzzed, and when ghosts and monsters roamed the aisles. The amazing William Castle, who entertained audiences with such greats as House on Haunted Hill and 13 Ghosts, believed he could provide thrills outside of the silver screen. Rigging the theater with all sorts of proprietary gags made Castle a name to be recognized. With almost every other week a 3D film being released into theaters nowadays it's a little hard to think that a film in 3D was a rare treat.

Perhaps it was the changing tastes of the movie-going public that brought the end to theater gimmicks, but there are two great examples of tribute to the lost art form. The first being Joe Dante's overlooked period piece Matinee, with an outstanding performance by John Goodman in tribute to the late Castle. The other film that tips its hat to Mr. Castle is the offbeat slasher film, Popcorn.

Popcorn revolves around Maggie, an aspiring screenwriter attending UC Berkley, who keeps having vivid nightmares which she fuels to write her script. While attending class, Maggie's film teacher Mr. Davis tells them they need to get some funds for their department, or risk being shut down. So Mr. Davis enlists the help Dr. Mnesyne, who is a film historian, to re-create the lost art of the gimmick with such thrills as 3D, Shock-O-Scope and Odorama. The goal is to have an all-night horrorthon to raise money for their program.  As the event starts, Maggie starts to learn that her nightmares are repressed memories from her childhood, and it appears that her past has a deadly way of catching up with her.

As a fan of both 80's slashers and 50's Science Fiction, Popcorn is, well... a real treat as a genre fan. It's hard to look at the film as one cohesive story as there are two films going on here, both of which highly entertaining. The kills are all different and rather inventive, and while some of the actors may not be what you'd consider "A-List" (with the exception of the ever lovely Dee Wallace) they suite the film just fine. My favorite moments are the films within the film, serving as the go-between to the slasher stuff. This is just personal preference as the slasher story is handled really well for a film of this type.

Popcorn is a film that pays homage to the long gone B-Movies of the 50's and 60's while keeping modern day audiences appeased with a by-the-numbers slasher sub-plot. Popcorn isn't a film that will be known for re-inventing the genre, but it's a fun look at a bygone era of film making. With a well crafted sub-plot and an energetic script, Popcorn is a film that will entertain those looking for laughs as well as violence.

Popcorn is out of print on DVD, but available from Elite Entertainment. Synapse is supposed to release a special edition Blu-Ray this October, but I haven't heard any updates as of yet.

Rating: 5 out of 5 Trash Bags

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Trash Pile Love Notes: Pacific Rim

After being a few weeks removed from my viewing of Guillermo Del Toro's 'Pacific Rim' I have found myself wanting to re-explore the world of Jaegers and Kaiju again. While it's not uncommon to find myself wanting to see a film again so soon, there's something about 'Pacific Rim' that's different.

The theaters have been devoid of giant monsters since 'Cloverfield' back in 2008, and while that may not be the most shining example of a Kaiju film it still was entertaining enough to show that the public would still pay to see strange creatures. So, here we are, five years later, and there's been one giant monster movie released and one due to come out next year. Some may claim that Gareth Edward's 'Monsters' is a giant monster movie, I say it's a movie featuring giant monsters. Still a good movie, but big difference.

Kaiju and giant monster movies have been a part of the American film culture since the original 'King Kong' in 1933. The interesting note is that outside of the "Big Bug" films of the 50's through the early 60's, American film companies didn't make too many giant monster movies. I guess you can blame that on kids' attention moving towards the space race, but Asian filmmakers were able to incorporate that into their stories. I guess you could say that's how the monster movie transcended that culture shift.

In terms of building sized monsters, we were without a major presence in the theater from the first 'King Kong' remake in 1977 to 'Godzilla 1985' in, um, 1985. After that Godzilla film failed to scare up big numbers in the States, it was another thirteen years until the horrid, yet surprisingly fun, Roland Emmerich 'Godzilla' remake in 1998. Looking at that timeline of monsters it's surprising that Legendary Films and Warner Brothers had the balls to give Del Toro the tools to make the biggest Kaiju film of all time.

The scale of 'Pacific Rim' is so grand that it couldn't have truly been captured in one film, but Del Toro did his damnedest. With the comic prequel 'Year Zero' the audience was able to see how the initial attack in San Francisco took place. From there, we dive right into the arc of the film, and without missing a beat, we fly through the runtime. It's here where the film succeeds for me:  I didn't realize that the time had passed so quickly since I was having so much fun.

So when it became time to tally those U.S. box office numbers, it was upsetting to see such a low performance. I suppose the main reason it is upsetting is that 'Pacific Rim' is a very well crafted summer movie. It's not high art, but it's a movie that succeeds in knowing its audience, and to me that is one of the most important parts of making movies. Thankfully the foreign markets understand the value of entertainment, and the financial returns have been solid overseas.

At the end of the day, there are a few reasons why 'Pacific Rim' failed in the states, but it's not the end of the world. With strong support from fans when the film hits digital and disc this fall, the studio will see that there is an interest in a continuation from Del Toro. When a film that works so well struggles to find its audience, I've found that those who do enjoy it rally to support it. Much like 'Dredd', 'Pacific Rim' is a film that needs those who enjoyed it to stand up, and say "Hey! This movie is a lot of fun, and will provide more entertainment than ______." I left that blank to fill in any movie title, but you get my point. Now, where were my Godzilla action figures...