Showing posts with label Post Apocalyptic. Show all posts
Showing posts with label Post Apocalyptic. Show all posts

Tuesday, December 24, 2013

Radioactive Dreams (1985)

I've always had a fondness for a good post-apocalyptic movie. The different views on what happens after the civilized world fades into distant memory are often as ridiculous as they are fantastical. Most of my favorite ones are where the the premise tends to be towards the former. I like a post-nuke world where it's as absurd as it can get. I guess that's why I prefer 'The Road Warrior' to 'Mad Max'.

Combining different genres can sometimes be both a blessing or a curse depending on how the movie is made. One or two genres isn't hard in the case of horror comedies like 'Shaun of the Dead' or 'Slither', but when you're combining multiple genres it gets hairy. The example would be a film like 'Radioactive Dreams'; a comedy, action, science fiction musical. That description will either have you running to see such a hodgepodge, or ignoring it like a cold sore.

'Radioactive Dreams' tells the tale of Phillip (John Stockwell) and Marlowe (Michael Dudikoff). Two teens that have been in a bomb shelter since there was a nuclear war in 1995. The only education the two have received are from private investigation books, and articles from the 1940's. So, when they exit their shelter 16 some odd years later, they're thrown into the 1980's version of the future. Which means mutants, punks, cannibals, giant rats and a bad-ass New Wave soundtrack. When Phillip and Marlow accidentally wind up with a pair of keys to launch the last two nuclear bombs in the world, every gang is out to get these two dicks.

Now when I said earlier that 'Radioactive Dreams' was a hodgepodge of genres I'm not kidding. It's framed like a film noir, but the absurdity of 1940's detectives on the backdrop of a post-apocalyptic world is too comical. Both main characters Phillip and Marlow play it completely straight, and it's their interactions that provide the humor. Then we have the aspect of the film also being a musical, which to me is what makes the film so unique. With songs by Sue Sadd we're given a soundtrack that both elevates the ridiculousness of the plot, but also sets the film firmly in the 1980's. I am sucker for New Wave and 80's music, but that can limit the audience and may make the film feel a little dated.

'Radioactive Dreams' is a fun time capsule of 1980's cheese. While the overall mishmash of plot points may be a little much too digest at first, with each watch there is more and more to notice. From the fantastic soundtrack, to the ridiculous costume and set design, 'Radioactive Dreams' is a real blast for fans of 1980's cinema. Currently the film is only available on the Vestron VHS in the USA, but there is a rip on YouTube which I've included below. Enjoy and share your thoughts below!


*Update 3/31/16* - After 3 years and multiple watches, I've determined that Radioactive Dreams is my favorite movie of all time. Also, if you can find the Region 2 German DVD by JAM I highly suggest it.

Rating: 5 out of 5 Trash Bags

Wednesday, January 18, 2012

The Divide (2011)

It's hard sometimes, as a fan of shitty movies, to say that you love shitty movies. When you say you love films like 'Shawshank Redemption' or 'Jaws' most people agree with you. They're well crafted films with great characters, direction, scoring, and almost every other quality most people associate with "good" movies. On the other hand when you tell people you love movies like 'Dirty Mary, Crazy Larry' and 'The Toxic Avenger' people tend to respond "you like that crap?", or "what the hell is that?". It's hard to make recommendations to people when they know you like awful movies.

Xavier Gens' 'The Divide' was a film on a lot of "Best Of 2011" lists, and for those who don't attend film festivals, it was near impossible to see. Thankfully, Anchor Bay Entertainment picked up the rights to this film and put it out for a limited release this last weekend. I caught a midnight screening at The Coolidge in Brookline, MA this past weekend, and I was finally able to see what many critics hailed about.

'The Divide' opens as nuclear missiles fall upon New York City. Residents in a near by apartment complex scurry as the debris from the explosions threatens to bring their building down. Eva (Lauren German) and Sam (Iván González) move down flights of stairs as they pass numerous people screaming for their lives. While a mob gathers at the front entrance another bomb crashes into a near by building, causing the people to disband. A small group of people run towards the basement, where superintendent Mickey (Michael Biehn) has built a bomb shelter. Resisting the group at first, they finally push Mickey out of the way to safety inside. Another group of people come rushing towards the door as Mickey slams it shut, and locks the survivors away from the devastation above.

I could continue on with the story, but anything further than that really takes away the impact of what unfolds. It's not really a Horror movie, nor Science Fiction, or a Thriller but one that works within multiple genres to keep the film moving at a good clip. Many reviewers have cited the film as being bleak, but shit, I mean it's about a nuclear attack. Could there really be many positive outcomes? 'The Divide' is a film that really shines through that bleakness to allow for really captivating performances from the entire cast. This is a film where I found myself glued to the screen at the actions of everyone involved. Seeing their bodies deteriorate from the lack of water and food really gave legitimacy to the story.

There were very few things about 'The Divide' that I didn't like to be honest, but I have the say the score was just ok. What I found particularly annoying about the score was the constant loud droning synth. It was like a 311 song over a David Cronenberg movie; just doesn't combine well. The acting was superb, the cinematography was brilliant, and with the exception of some questionable CGI, the effects were awesome. This is a film that falls out of the norm with what I tend to review on this site, but I cannot endorse 'The Divide' highly enough. It's not a happy film. Nor one that will have an uplifting ending, but it will stick with you. The great performances from Michael Biehn, Lauren German, Milo Ventimiglia and Rosanna Arquette will heighten the tension of those who are forced to survive through horrific conditions.

'The Divide' is currently in limited release from Anchor Bay Entertainment. If you can find it at a local theater I suggest spending your money on a well done original film. Something that we need in this age of remakes, sequels and board game cash-ins.

Rating: 4 1/2 out of 5 Trash Bags.




Wednesday, December 7, 2011

Prayer of the Rollerboys (1990)

Post-apocalyptic movies offer the chance for a writer to really differentiate themselves from other films on the market. Your film can be immediately after shit hits the fan, or you can have it be a few years later when society has fallen into turmoil. My personal favorite film in this genre is John Carpenter's classic 'Escape from New York'. It's one of the director's best works, and solidified Kurt Russell as one bad ass action hero.

The star power that was Corey Haim was dropping faster than living Beatle members, but that didn't stop him from continuing to work. 'Prayer of the Rollerboys' was a film that I found in a local flea market for $2.00. I had never heard of the film before, but shit, look at that cover. A flying V of white trench coat wearing gang members, and starring Corey Haim? Sold.

In a not too distant future America is in debt to many foreign countries, and has been invaded and taken over. The poor and homeless are forced into camps, and the rest scrape by to live and eat. Griffin (Corey Haim) has moved from somewhere back to California with his little brother Miltie. Griffin makes his living by delivering pizzas, but one night destroys the delivery van while freeing a person locked inside a burning house. Turns out that the person was a member of the notorious Rollerboys, a racist gang who distributes the terrifying drug, Mist.

While rollerblading in a garage the Rollerboys come visit Griffin and Miltie. Turns out that the gang leader Gary Lee (Christopher Collet) used to be neighbors with Griffin until their parents were taken away, and put into camps. Now Gary runs the most violent gang on the west coast, and is looking to recruit Griffin up into his gang. The Rollerboys are planning something called "The Day of the Rope" and the cops want to figure out what is going on. Griffin gets roped (hah) into being an undercover agent to discover what is going on with "The Day of the Rope", and stop the Rollerboys once and for all.

I can't believe that I hadn't seen this movie when I was younger. This is the exact type of movie you would find on HBO, Cinemax or Showtime after midnight. Where to start with 'Prayer of the Rollerboys'? Well, the look of the film is halfway decent for a film of its type with desolate gray skies, and the city destroyed. While watching the film for a second time I noted how I felt like I had seen the plot in other movies. Griffin bargains the safety of his brother to become an undercover Rollerboy, and Patricia Arquette is there to be the other set of undercover eyes. Been there, done that. That's not to say I didn't enjoy it, but come on, give me something new.

The film isn't really anything special, but it does have some fun moments. Christopher Collet is a pretty good villain, but it's weird to see him as any other character than Paul in 'Sleepaway Camp'. The film looks more expensive than it probably should with impressive cast of extras, and good location shooting. The real downsides of the film are that of the supporting cast. There is only one member of the Rollerboys (besides Christopher Collet) that is a halfway decent actor, and that's Mark Pellegrino of 'Lost' and 'Supernatural'. Every other actor is there to pad or eat the scenery. Then there's the music, which is generic synth drums with distorted guitar chords over it. Think 'Lethal Weapon', but shittier and by Godsmack. So, just shittier I guess.

'Prayer of the Rollerboys' is not going to be remembered for showing Haim's remarkable acting ability, but it's an interesting take on the post-apocalyptic genre. It's interesting to see how the premise of this film relates to some similar trends in our times. The country being in debt, and subsequently being purchased by foreign countries is starting to sound more true. I really hope that this isn't what we're in for though because I sure as fuck can't rollerblade.

'Prayer of the Rollerboys' is available on DVD from United American Video, and VHS from Academy Pictures.