Showing posts with label OOP. Show all posts
Showing posts with label OOP. Show all posts

Thursday, October 31, 2019

The Atlantis Interceptors (1983)

Exploitation films are some of the most polarizing for movie fans. Since Quentin Tarantino and Robert Rodriguez put out 'Grindhouse' in 2007 there has been a slew of films trying to duplicate what filmmakers were doing in the late '70s and early '80s. 'Hobo With a Shotgun' is a phenomenal example of capturing the spirit of those films, but 'Grindhouse' is playing it a little too safe. Sure, it's a fun movie and pays great love and admiration for the films of yore, but it's too self aware. The same can be said for 'Machete'. It too is a fun movie, but it's not the same as watching films like 'Ilsa: She Wolf of the SS' or 'Fair Game'. Movies like that took themselves serious, and pushed what, at that time, was the envelope for genre films.

Ruggero Deodato you may know from as the director of the infamous 'Cannibal Holocaust'. It's a powerful, visceral film that is a prime example of exploitation filmmaking. His follow up, 'House on the Edge of the Park' was another great example of a brutal movie with an unrelenting tale of home invasion. After making two films with unrelenting violence I guess Deodato decided that he needed to make a ridiculous, completely absurd film about Atlantis rising from the ocean.

Mike (Christopher Connolly) and Washington (Tony King), who insists on being called Mohamed, are mercenaries who are the best at their job. After kidnapping an old man for some unnamed colonel, the two take their payment and head on their boat for a little vacation in Trinidad. While journeying out to sea, a helicopter circles the vessel pissing off the crew of Mike, Washamed and their boy servant, Manuel. The chopper is carrying Dr. Cathy Rollins, an expert in Spanish languages, to a government research station in the middle of the Atlantic ocean. The crew is composed of nuclear scientists who are trying to raise a Soviet submarine from the ocean floor.

On land, however, a group of a-typical post-apocalyptic cyber punks have taken to the streets, slaughtering the citizens of Miami. Their leader, a pleasant fellow by the name of Crystal Skull rules the violent gang. Suddenly an earthquake moves the oceans, and an island breaks the surface. There are trees, and mountains, and the island looks to be enclosed in a bubble similar to that of a vending machine toy. The research station is being taken down by the force of the water as Mike and his crew brave the storm in their boat, and they miraculously make it through. As the boat sails on, Mike and the gang run across survivors from the station and they head for land not knowing the horrors that have unfolded on shore.

In the early '80s there was a wave of Italian produced post-apocalyptic movies that came on the market. 'Atlantis Interceptors' is one of the better of the bunch as Deodato plays with many different genres to really make one ridiculously fun film. From action to comedy, to horror and thriller Deodato borrows heavily from many other films. You see shades of 'Escape from New York', 'The Road Warrior', and even some James Bond type of elements. A solid foundation, but the film also has a pretty well crafted original story. Just over-the-top enough to be absurd, but handled well enough that it isn't awful. The acting isn't that bad considering other films of its type. Tony King is solid comic relief, and does well at being that sarcastic asshole throughout the film.

The acting, being better than I expected, I was let down by the lack of violence that I've seen in other Deodato films. Many movies in his catalog are littered with gore that it was interesting to see a 'less is more' attitude to the violence. This is one area that would have improved the film as the gang, while raising hell on the beaches of Miami, doesn't really get to shine. The villain, Crystal Skull isn't really as fleshed out as you would like. He's the sort of character that really needs to be malicious and terrifying. We get a guy decapitated, and another guy spiked to death in a jungle trap. Other than that, we don't see this gang really be all that terrorizing other than slicing one or two people up with swords.

The soundtrack was another downside of the movie as the disco jams just didn't really fit the tone of the movie. It's awkward actually, and takes away from this Atlantis rising world. Thankfully you can excuse the soundtrack because there are some great action sequences with shoot-outs, motorcycles and Mad Max style cars.

As a cult movie though, 'The Atlantis Interceptors' is a real blast. It's nothing that will change your view on post-apocalyptic movies, but solid performances, over-the-top action really elevate it to something better than it really should have been. It won't be remembered as Deodato's best, but it's a fun way to spend an hour and a half.

'The Atlantis Interceptors' is currently available in the Grindhouse Experience Vol. 2 DVD Box Set. It's loaded with 20 other fantastically shitty films ranging from 'Jaws' knockoffs to foreign superhero films. It ranges about $20, and is really worth your time if you're looking for some bad movies.

Rating: 3 out of 5 Trash Bags

Sunday, June 14, 2015

Episode 30 - Satanic Attraction/Ritual of Death





*Normally I'd add trailer(s) for the films, but as we said in the podcast they're really full of spoilers. Watch at your own risk!*

Saturday, April 18, 2015

Blood Salvage (1990)

As my years of watching and collecting movies progresses I find myself taking less of a chance on a "blind buy" as I used to. Recently I came to the conclusion that reasoning is completely stupid, and if I'm not willing to stick my neck out on some ridiculous movie (new or old) then what type of movie fan am I really? The answer is a shitty one.

To correct this genuinely lazy mistake I've taken to seeking out a few movies that I had never heard anything about, good or bad. Just crossing off more movies to say it's worth a look, or its Curse of the Blue Lights bad. This morning I gave the 1984 flick Dreamscape a watch, and that was pretty damned entertaining. Don't know why I never saw it before, but better late than never. In the same lot of tapes I decided to pick up this silly cover of a junkyard worker holding an eyeball in wrench.

Blood Salvage tells the tale of the Evans family, who attend a county fair in which their wheelchair bound daughter April is a contestant. Jake, a local junkman, takes a shine to miss April, and sets about to have his insipid sons conspire to damage the wheels on the Evans' Winnebago. As the family embarks on their trip back home the wheel magically comes undone, and the camper veers off-road. Along comes Jake to "assist" the Evans, and brings them all back to his home. Unfortunately for the Evans what they don't realize is Jake is a mad doctor who just so happens to be sell the organs on the black market!

Blood Salvage is an absurd movie; let's get that out of the way first. If you're expecting a thought provoking chill fest you're shit out of luck. This is a movie played strictly for laughs, more in the vein of Blood Diner than Hills Have Eyes. The company who released the film, Magnum, has not been my best friend when it comes to quality views. I keep beating the dead horse that is Curse of the Blue Lights, but then there's also the shit-show that is Street Asylum. After viewing those two films I was a bit reluctant, but I'm happy I did. This was the simple, no nonsense type of horror comedy I like. Not as heavy on the slapstick, but black humor in the dialogue and absurdity of the overall situation. The gore was also a fun aspect here, but not played for anything more than comedy.

Another aspect of Blood Salvage that elevated the viewing for me was the inclusion of some familiar faces in John Saxon as the patriarch of the Evans household, and Ray Walston as the seedy head of the black market organ trade Mr. Stone. The rest of the cast is more than acceptable, but my main gripe with the film comes in how predictable the whole thing was, right down to the last scene. Perhaps I'm just too jaded from seeing so many movies. I guess it's easy to blame myself, but honestly, maybe everything was predictable for the sake of adding levity to the plot. That's all a personal thing, and doesn't really detract from the viewing, but something I felt I should share for those who watch a lot of horror movies.

For those of you who look for something a little sillier in your upcoming horror viewings, I suggest giving Blood Salvage a watch. With an engaging plot, solid acting and great gore you’re sure to enjoy it. There are a lot of other crazy backwoods killer movies out there, but due to the humor involved with Blood Salvage I would say it’s one that holds up on repeat viewings more than most. Also, lookout for the random fucking cameo from Evander Holyfield. This must have been some paycheck, champ.

Rating: 4 out of 5 Trash Bags

Blood Salvage is currently not available on DVD, but copies of the VHS are available on Amazon starting at around $10.

Thursday, March 12, 2015

Mutilations (1986)

There are really only a few routes an alien invasion film can go. You can have the mass-destruction styling of Roland Emmerich, or maybe the film is an allegory for some part of our society like Invasion of the Body Snatchers. There's also just the good old fashioned "aliens are here to fuck shit up" approach.

Prior to the CG-laden adventures of a cigar smoking Will Smith in Independence Day, most films dabbling in alien invasion were left to the devices of practical and traditional special effects. Unless you're Ray Harryhausen it's probably pretty hard to show alien spaceships attacking metropolitan areas. Case in point: Plan 9 from Outer Space.

Mutilations takes the approach of most pre-CG alien invasion films, and isolates the action to a central location and group of characters. The benefit here is it would be silly to tackle such a broad story with what is obviously a small budget. With that we're given a pretty run-of-the-mill stalk and slash alien movie, and that's by no means a detraction.

Mutilations tells the story of a group of science students who hear tale of group of townsfolk who have noticed strange lights occurring in, and around the town. On top of that, apparently the cattle and other animals have been found stripped of skin, and partially consumed. Of course being the brazen young group that they are, they venture into the mountains to find out what has been causing all the... Mutilations.

At its 65 minute run time, Mutilations is a breeze in unabashedly fun stupidity. The minimal amount of character development here is all just fodder for the impending alien attacks. I guess the first question your asking is, "Hey, Chris. Does that scene on the cover happen in the movie?" Yes, yes it does. And it is glorious. Being someone who grew up with 50's Sci-Fi I always love when a film is not afraid to take some bold risks in the effects department. It was very pleasing to see a nice combination of stop-motion animation, and practical effects in regards to the antagonistic aliens in the film. Although I'm never really sure of the size of the creatures in the film, they are a fun sight and cause some great fatalities.

From a technical standpoint however, Mutilations falls into the "So bad, it's good" territory. From one-liners that would make Bruce Campbell balk to actors (a loose term here) inserting far too many "dramatic" pauses between words, the direction of Larry Thomas is that of someone that just wanted to tell a fun story.

Outside of the acting and dialogue, there really aren't too many negative aspects to Mutilations. From a time period of filmmaking where limitations were pushed to the extremes, this is a film that encapsulates what I really love about 80's movies. Silly story, quick-paced and absurdly violent.

Mutilations is a pretty hard tape to track down. It's available from Baron Video, and, if you can find one at a decent price, is totally recommended.

Rating: 3 1/2 out of 5 Trash Bags


Mutilations IMDB

Wednesday, March 11, 2015

Satan War (1979)

Recently I've been on a real kick with TV shows and movies dealing with spirits, ghosts, demons, etc. Ghost and haunted house movies don't have as much of an affect on me as they used to as a kid, but I just blame that on desensitization. The real hard part as a fan of film is that I've tried to see it all, and in my 20-someodd years of doing so have seen some pretty messed up shit. No matter what though, I still seek out new stories about families or persons who become prey to otherworldly forces.

The film in topic is the 1979 film, Satan War. From a VHS collector standpoint this is a pretty hard-to-find movie, as I had never heard of it until one of the contributors of Bleeding Skull posted a picture a month or so back. The lurid cover of a leather-clad Satan was enough for me to be curious, but then upon hearing it was pretty much a Amityville Horror rip-off, I was 100% into it.

Satan War starts off with a narration describing how the stories you are about to see are based off of real life events in the realm of the supernatural. Louise and Bill, a newlywed couple who have just moved into their new home, start experiencing strange occurrences right after moving in. Their emotions fly abandon as they realize something is changing their surrounding. As Louise hangs the crucifix from their wedding cake, strange events start to occur. Like the cross turning itself upside down to the coffee pot and kitchen cabinets spewing out foul slime. Suddenly they're prisoners in their own home by an unseen entity that will do anything to have them out!

The second story within the credits of Satan War revolves around a tribe that does the mambo, a religious dance that is designed to have the spirits of demons, or whomever, enter your body to allow for their wishes to be realized.


So, yeah. That's basically Satan War. If it sounds like it was a bit trying to get through, it was. This isn't to say it's the worst film I've seen recently (that title still goes to Lunchmeat), but the biggest detractor to a film like this is the constant and ever present music in the film. The synth score, while repetitive, isn't the worst. What is the worst about it is that the film is never able to create its own tension and atmosphere as we're always waiting for the next scare based on the music cues. Over the 60-minute run time of the first segment, there were only maybe 2 minutes that did not have music over it. It just got to the point where it would have been better on mute.

The other big issue I had with the Satan War was, much like the music, the repetitive scares. We get the demon doesn't like crucifixes. We get that it can make lightning, thunder and an earthquake when it's mad. We get it can make animal smelling diarrhea come from every point in your kitchen. That's it. These are basically the only things that happen while the newlyweds move in. Well, Louise also finds herself at the end of 2 sexual assaults by an unseen entity.

Now what's interesting is that some versions of the film appears to have an extra scene prior to the Amityville Horror rip-off that involves a Black Mass. I have included that full, 92:00+ version below.

At the end of the day, Satan War is nothing special. I respect what Bart La Rue was trying to accomplish, but due to the repetitive score and the unwillingness to go balls-out with the scares, this is a film only for those really searching for rare and hard to find movies. I don't think you'll hate yourself after watching it, but you may want to have The Changeling, Legend of Hell House or The Evil as a good pallet cleanser.


Rating: 2 out of 5 Trash Bags


Satan War IMDB

Satan War Wiki

Sunday, October 12, 2014

Charter Entertainment


Why does one decide to collect something? What is it about one particular brand or look that draws us to act like Ash Ketchum with a duffel bag full of Pokeballs? I'm sure there's some asinine psychiatrist opinion about how we were raised, but I honestly think who gives a shit. Some like baseball cards, some comics. Some records and others with embossed presidential faces on a doily. Regardless this is a post about my journey to collect all the releases from Charter Entertainment.

Charter was a subsidiary of Nelson Entertainment, who was later purchased by New Line Cinema.... Who was later purc
hased by Warner Brothers. My first experience with Charter was Brian Trenchard-Smith's The Quest. My father had seen the movie one random day on TV, and had found a copy for me to see when I was about 8. At the time my VHS collecting consisted primarily of Godzilla, Universal Monsters and big bug movies from the '50s, but this Australian set film captured my imagination.

It wasn't until 2008 when I then saw my next Charter which would be the Larry Cohen oddball God Told Me To. Then I came across the John Stamos/Gene Simmons tour de force Never Too Young to Die, and my love of this company grew. After I started coming across different titles while hunting in the wild, I decided to "Get the whole set".

I had no clue how many titles Charter released. Through websites like VHSplatter, Critic Online and VHS Collector I was able to amass a large amount of the product IDs and titles. However, these sites still don't list every title. I have found a few that these sites don't list, and that has begun my quest collect, watch and review every Charter film. I don't know for sure how many titles that is, but as of now I've counted upwards 117 titles. The IDs I've collected so far go up to "90237, which is the Harvey Keitel thriller Blindside.

Below is the catalog I've setup so far. If you have a Charter that you're looking to pass off please let me know!



Catalog Number
Title
9001
Kiss of the Spider Woman
9002
Zulu
9003
Rabbit Test
9004
Star Crash
9005
Time Walker
9006
The Plague Dogs
9007
The Baltimore Bullet
9008
Ten Little Indians
9009
Foxtrot
90010
Sidewinder 1
90011
The Mack
90012
Scalpel
90013
Came a Hot Friday
90014
A Man, a Woman and a Bank
90015
Diamonds
90016
Blackout
90017
Black Oak Conspiracy
90018
Nashville Girl
90019
Night Flight From Moscow
90020
Journey Through Rosebud
90021
TNT Jackson
90022
Paddy
90023
The Final Comedown
90025
Hog Wild
90026
City on Fire
90027
Follow That Car
90028
The Young Nurses
90029
This Time I'll Make You Rich
90030
The Steagle
90031
Crimewave
90032
Smoke Bites the Dust
90033
Lucky Luciano
90035
Call Him Mr. Shatter
90036
Jock' Petersen
90037
Summer School Teachers
90038
The Student Nurses
90039
Emanon
90040
Road to Salina
90043
God Told Me To
90045
Outside Chance
90046
Never Too Young to Die
90047
Blonde in Black Leather
90048
Street Girls
90049
The Tigress
90050
Woman Hunt
90051
Women in Cages
90054
The Manitou
90055
Picture Mommy Dead
90056
Murder Mansion
90058
Scream of the Demon Lover
90060
The Ski Bum
90063
The End of August
90069
Love By Appointment
90070
The Nightcomers
90078
Macho Callahan
90079
A Man Called Adam
90080
Thumb Tripping
90081
The 2nd Best Secret Agent in the Whole Wide World
90083
Horror Rises from the Tomb
90084
Baby Love
90085
J.C.
90086
Fury of the Wolfman
90096
The Quest
90097
Savage
90098
Marciano
90099
The Comeback Kid
90100
The Jericho Mile
90101
She's in the Army Now
90102
Attica
90103
Make Me An Offer
90104
Pray TV
90105
Hot Rod
90106
Bombs Away!
90107
Dingaka
90108
The Dirt Bike Kid
90109
Trouble in Mind
90111
Bluebeard
90113
A Nice Girl Like Me
90115
Walk into Hell
90117
Catch as Catch Can
90119
Interval
90120
The Passionate Thief
90122
Robbery
90123
Shoot Loud, Louder… I Don't Understand
90124
Caper of the Golden Bulls
90125
Seaside Swingers
90128
The Spy With the Cold Nose
90129
Three Bullets for a Long Gun
90132
The Sporting Club
90133
Mother & Daughter: The Loving War
90134
Wonders of Aladdin
90135
Darktown Strutters
90138
Road Games
90139
Cross Country
90140
Fair Game
90141
Private Duty Nurses
90142
The Cat
90146
A Bullet for the General
90149
The Terrornauts
90153
Red Headed Stranger
90155
The Swimming Pool
90156
GIT!
90160
Hatchet for a Honeymoon
90165
Talion
90169
A Time for Miracles
90171
Octavia
90173
What Comes Around
90174
To Love Again
90178
Jane Austen in Manhattan
90179
A Dream of Passion
90198
The Salamander
90199
Bridge to Nowhere
90200
Keeping Track
90203
Rolling Vengeance
90204
Working Girls
90205
Messaline vs the Son of Hercules
90206
The Danger Zone
90207
Impure Thoughts
90208
Strangers in the City
90209
Ghost Fever
90211
Toby McTeague
90213
The Terror of Rome Against the Son of Hercules
90214
Burke & Wills
90216
I Was a Tennage Zombie
90218
Dark Age
90221
Slaughterhouse
90223
Supergrass
90224
Living on Tokyo Time
90227
Stacking
90229
Around the World in 80 Ways
90234
I Have Heard the Mermaids Singing
90235
Scenes from the Goldmine
90236
Playing Away
90237
Blindside