Showing posts with label Found Footage. Show all posts
Showing posts with label Found Footage. Show all posts
Monday, October 12, 2015
Monday, August 31, 2015
Sunday, January 4, 2015
Wednesday, June 5, 2013
Slashing the Options: The Future of 'Friday the 13th'
1. Up the Gore:
While the 2009 reboot wasn't a bad film there just wasn't much balls behind it. Sure, there were trickles of what made this franchise so special to the fans, but it just felt like a watered down rip-off. The biggest downside, to me, about the '09 offering was that the kills, while vicious, weren't to the level we had seen in previous entries.
Sure, there was a call back to the sleeping bag death from 'New Blood', and the bear trap was an excellent choice of weapon, but this is JASON FUCKING VOORHEES we're talking about here. He should not be moping around in underground caverns. He should be slow walking while cracking dudes in half, crushing skulls to a pulp or some other wacky means of dispatching his victims.
For most fans, the special effects in this series are a highlight, and that was the biggest downside in the '09 remake. To Paramount, I say: don't be afraid to show the gore. You pussied out with 'New Blood' by trimming the violence, so here's your chance to make up for it.
2. Keep the Setting at Camp Crystal Lake:
Another downside from the '09 version was that we weren't at Camp Crystal Lake long enough. This is probably one of the most iconic locations in horror history, and all we get is a glimpse of a broken down camp. Take a note from the original film, and have a group of people trying to re-open the camp to the public. Hell, do one better and follow 'Jason Lives' with the camp being open AND in session.
This will add for huge tension with a plethora of bodies for Mr. Voorhees to mow down, and at the same time give us a chance to see humanity amongst our protagonists. There are parts in 'Jason Lives' where we see the counselors looking after and enjoying the company of the children attending camp. This adds to the character development as while they may not be the best people (pre-marital sex, drug use, drinking, etc.), it at least shows us that there are redeeming qualities. This will make their deaths that much more impactful.
3. Embrace the Past:
While there were nods to the original series in the Platinum Dunes reboot, it just didn't really fit the cannon of the franchise. It was too mean spirited, whereas the other entries at least had a sense of fun to them; kind of like a theme park ride. Perhaps the best way to reboot the franchise is to set it in the 80s? I doubt Paramount would want to do this, but it would be a fun way to be meta about the series while still creating an original storyline.
4. Casting:
If there's one name (outside of Sean Cunningham) that is synonymous with 'Friday the 13th', it's Kane Hodder. Kane played Jason from Part VII to Part X, and is who fans know and love as the hockey masked slasher. I have my gripes about the '09 reboot, but Derek Mears portrayed Jason rather well. What I think, and this is a long shot, is to cast both in the film. Not having dual Jasons running around, but either have Mears portray Jason again or Kane, but have BOTH in the film. It should be littered with a who's who of Friday stars, and, more importantly, show that the studio is creating a film for the fans.
5. Plot:
If there's one thing that has been missing amongst the Friday franchise over the years, it has been Jason's arch-rival; Tommy Jarvis. Portrayed original by Corey Feldman, then John Shepherd until finally being played by Thom Mathews in 'Jason Lives'. The Tommy and Jason relationship is the equivalent of Nancy vs. Freddy. There's something to be said about a character with a history, and since 'Jason Lives', all we've had is Jason mowing down teen after teen. I mean sure, that's really what this series is about, but there is a rich history between these two that should be continued.
There are probably a dozen or so other points I would tell Paramount to take in their re-acquisition of this beloved franchise, but the clock is ticking. The deal with Warner Brothers states that within FIVE YEARS there must be another entry made, or the rights will revert. My concern is that we'll get a cookie cutter entry that doesn't really serve the series justice, but I could just be talking out of my ass.
What are your thoughts? Do you think Paramount will show this franchise love after manhandling it for decades? Leave your thoughts in the comments below!
Sunday, April 28, 2013
V/H/S 2 (2013)
Last year, horror website Bloody Disgusting ventured into the original film department with their horror anthology release, 'V/H/S'. The film fared rather well in terms of audiences and critics, so inevitably a sequel would manifest itself in no time. I enjoy the first film immensely as it was a fresh take on the tired found footage formula, but I did have my issues with the film. The wraparound story of the group of men trying to search for a wanted tape was the first films biggest downfall, as the acting and characters weren't anything to envelop the stories in-between. The other issue, as with any anthology movie, is that you're going to be left with films you really like, maybe some you're impartial to, and others that you just didn't care for at all. A lot of people didn't seem to enjoy the Ti West offering in the last installment, but I enjoy a slow burn.
As with the previous 'VHS' film, the sequel starts off with a wraparound story to envelop the found footage horrors. This time round we follow a group of private investigators who are sent to find a woman's missing son. As they enter the apartment, they find TV sets stacked in a wall with dozens of VCRs and tapes haphazardly strewn about the room. As one investigator goes searching through the house, the other starts looking through the man's tape collection.
Now here is where I should provide details of all the tapes that are viewed, but that would take away from the fun of the film. Each of the four stories are so different, but compliment each other rather smoothly. The basic premise for the films are: Ghosts ('Clinical Trials'), Zombies ('A Ride in the Park'), a cult ('Safe Haven') and an alien abduction ('Slumber Party Alien Abduction'). Whereas the first film had a few mediocre segments this sequel finds all the right beats from the first one, and amplifies them to the umptenth degree. Laughs, gore and atmosphere are all present in each segment, and the crowd I saw it with was laughing and screaming the entire time.
Honestly, I'm pretty hard pressed to find any issues with 'VHS 2'. It was exactly what I wanted from a sequel, and had a great sense of fun with each offering. The directors involved all did a wonderful job of staying within the horror genre, but allowing for comedic elements to ring throughout to offset the violence and scares. I don't even have a favorite segment, but if there was one that the audience seemed to respond to the most it was Gareth Evans 'Safe Haven'. This is the gentlemen who directed last years fantastic 'The Raid'.While found footage may not have been reinvented with 'VHS 2', it certainly was well crafted in how to entertain an audience. For whatever faults there may have been in the previous installment, all have been eradicated with this new outing. The best thing about a budding franchise like 'VHS' is that it's a venue for up and coming directors to showcase their talents in a condensed form. They can churn out one a year like any other horror franchise, but the difference here is that we'll never see the same movie twice.
'VHS 2' will be released by Magnet Releasing on VOD July 6th with a limited theatrical run July 12th.
Rating: 5 out of 5 Trash Bags
Monday, April 2, 2012
Trash Pile Love Notes: Cannibal Holocaust
There are some films that people choose to never see. Whether it's because of the violence, content or creative teams behind the films, many audiences avoid certain movies like the plague. Recently, we've seen this with films like the expanding 'Human Centipede' franchise, and the controversial 'A Serbian Film.' We hear these rumors of films so foul that they not only disgust you, but really make you hate yourself after. Sounds like exploitation to me.When I was 13, I used to visit comic conventions around the Boston area. Back in the early 2000's, it was really the only place to find unreleased workprints and other hard to find movies. Soon I began going to conventions to find new movies, as opposed to rounding out my comic collection. Every type of movie was at a young gorehound's disposal for the "low" price of $10 for a bootlegged VHS. I was ecstatic at finding a new film that I had not seen before, but one film changed the way I would look at movies forever: Ruggero Deodato's 'Cannibal Holocaust'.
Sitting in my friend's basement, way too cracked out on caffeine and pot, we watched about 4 of the 8 films we picked up that weekend. It was the first time I saw the bat-shit crazy 'Meet the Feebles', the X-Rated 'Robocop', and, if memory serves correctly, the version of 'Little Shop of Horrors' with the alternate EVERYONE DIES ending. I enjoy all of these films for different reasons, but I had never seen anything like 'Cannibal Holocaust'. Nothing really prepares you for the carnage of a group of filmmakers destroying, raping and killing natives to beef up their documentary. It's baffling that a film with so few likable characters resonates so heavily, but it's in the way the film is constructed that makes it so memorable.
The very first piece to cover on 'Cannibal Holocaust' is how amazing the cinematography of Sergio D'Offinzi is. His work captures a beauty that the plot of the film cannot. The amazonian landscape is shot in a way that feels like a nature documentary, but when matched with the gut-wrenching visuals involving the cast, compliments it rather nicely. There are very few moments that feel like the found footage of the lost documentary crew is fake. Everything looks so genuine that I can understand why Deodato was sequestered to court on the allegations that he killed his cast. If you've convinced the Italian government that you've committed atrocities towards humans, then you must have made an impactful film.
With that comes the conversation of animal violence, which is very real. I do not endorse animal cruelty in the slightest, although I'm going to throw my cat out the window if she's scratches my VHS again. The animals that were sacrificed to the movie gods were also consumed afterwords by the cast and local tribes people. No animal, except maybe the spider (which I'm fine with. I hate those things) was put to waste. I'm sure if you're trekking through the jungle, some barbecued turtle would sound mighty tempting. Condemn it all you want, but it's there for a purpose. If the animal cruelty is something that you don't think you can stomach? Fine. Either don't watch the movie, or look away at those parts. Remember 'It's just a movie'.
The score is another phenomenal piece of what makes 'Cannibal Holocaust' such an amazing film. Riz Ortolani composes such a hauntingly uplifting score that it battles against the gruesome images that Deodato orchestrates. The main theme is one that really stays with you after your initial viewing, with its cheery synth and acoustic guitar. It's one of the scores that when you first see the film might seem out of place, but it really heightens the horror of the action.
Another thing that really makes 'Cannibal Holocaust' stand above most other exploitation films is the message that the film is trying to press. It may seem heavy handed that the real monsters are the ones behind the camera, but it has become more true since the film was originally released. The documentary crew who ventures in the Amazon had always beefed up their previous efforts by faking the events that were happening, or paying armies to execute civilians. Deodato used this as an allegory for the way news outlets world wide would sell violence if it meant ratings. The message rings truer today with the advent of reality television. Violence of all types equals more money for sponsors and TV stations. How long until 'The Running Man' becomes an actual show?
After a recent screening at The Coolidge Corner Theater in Brookline Massachusetts, I was brought back to when a I first saw 'Cannibal Holocaust' almost 15 years ago. Seeing it in 35mm was like seeing it for the first time, and I was also able to bring some new viewers along for the ride. They had heard of the film, but for whatever reasons had decided to not see it. Afterwords they both remarked at how much they really liked the movie. There is a preconception with exploitation and grindhouse films that there is some inherit camp value to the productions, and most of the time that's right. 'Cannibal Holocaust' is not a campy film, nor is it one that is for mainstream audiences. Every found footage film owes a little piece of their creation to this groundbreaking film, and while no academy will ever declare 'Cannibal Holocaust' a Best Picture candidate, the impact of this little exploitation film will be forever imbedded in cinema history.
**No animals were harmed in the writing of this article.**
Cannibal Holocaust from Amazon
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